The Musical Aspects of the Ancient Egyptian Vocalic Language Audiobook (Free)

This book will show that the basics, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets-being produced from the three principal tonal seems/vowels ; the fundamentals of generative phonology and the type of the four sound variation of every letter and its specific equivalence in musical notes; the generative character of both musical triads and its own equivalence in the about The Musical Areas of the Old Egyptian Vocalic Language Egyptian trilateral stem verbs ;usage of alphabets and the vocalic notations for both texts and musical equipment performance; and much more. This book is split into 10 chapters. Section 1: Historical Deception of the (Old) Egyptian Linguistics will very clear the intended confusion to cover the alphabetical type of writing in Old Egypt-as getting the SOURCE of most languages throughout the world. Chapter 2: The Seamless Vocabulary and/of Music addresses the unity of musical tones and Egyptian alphabet as well as the intimacy between language/talk/vocals and music in the Egyptian program. Chapter 3: The Human being Vocal Instrument covers the details of the human vocal generating system and its own equivalence in musical equipment. Section 4: The Three Major Tonal Sounds addresses the three primary rhythmic tones and their equivalence in the Egyptian three quantal vowels/sounds. Chapter 5: The Musical/Tonal/Tonic Alphabet addresses the letters of the Egyptian alphabet becoming derived from the three principal tonal noises/vowels aswell as the use of alphabet for musical musical instruments tonal notations. Section 6: Duality of Words/Musical Tones displays the dual nature of alphabetical characters and musical shades. Chapter 7: The “Atom” of Musical/Vocal Seems covers the fundamentals of generative phonology and the type from the four sound variation of each letter; and its own exact equivalence in musical records. Chapter 8: The Musical Rhythmic Sound Segmentation addresses the orderly audio segmentation in musical stream and its own equivalence in syllables stream-in all variants of size, duration, stress, junctures, boundaries, etc. Chapter 9: Harmonic/Rhythmic Phrase Formation/Morphology [Musical Triad] addresses the generative nature of both the musical triads and its own equivalence in the Egyptian trilateral stem verbs. Chapter 10: Tonal/Musical Sentences & Their Types/Numerous Forms [Themes and their variations] covers the exact similarity between musical structural forms and phrase structures in grammar, syntax, semantics, functions and forms, etc.